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Vol. 1 / Issue 1

The Nelligan Review

Une revue littéraire et culturelle bilingue

Vol. 1 / Issue 3

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The
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Review

The
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Review

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Essays
& Reviews

The
Nelligan
Review

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Vol. 1 / Issue 3

April 1, 2023

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"The way it is now, in my mind’s eye: I grapple on my hands and knees, searching a dusty room for a story." One of loss 2x. An essay by Anna Oberg.

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"Dual Realms" a review of Samara Garfinkle’s debut poetry collection by Avleen K. Mokha

A Look Back in Time ... Frank Sinatra Has a Cold

"In the winter of 1965, writer Gay Talese arrived in Los Angeles with an assignment from Esquire to profile Frank Sinatra. The legendary singer was approaching fifty, under the weather, out of sorts, and unwilling to be interviewed. The result, "Frank Sinatra Has a Cold," ran in April 1966 and became one of the most celebrated magazine stories ever published, a pioneering example of what came to be called New Journalism -- a work of rigorously faithful fact enlivened with the kind of vivid storytelling that had previously been reserved for fiction." - Esquire

Frank Sinatra Has a Cold

Esquire by Gay Talese

April 1966

"Que reste-t-il de lui dans la tempête brève?"

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Vol. 1 / Issue 2

December 29, 2022

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A Look at Russia's War in Ukraine September 12 – December 18, 2022

The social media posts of former ‘Soviet subject’

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A personal essay about an interdependent mother-daughter relationship complicated by secrets and resentment. "Locked Together, Locked Apart: Just Beyond My Reach" by Anna Stolley Persky.

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"Three Solitudes" an incursion into the mind of a conflicted French-Canadian, by Nathalie Guilbeault.

A Look Back in Time ...

"Why the snake? That is, why is the unconscious so loathe to speak to us? Why the images, metaphors, pictures? Why the dreams, for that matter."

The Kekulé Problem

Where did language come from?

BY CORMAC MCCARTHY

April 17, 2017

In this issue, where among other things, we look at language—the exploration of bilingualism and the benefits of it, we offer Cormac McCarthy's article from Nautilus magazine April 17, 2017, where he asks: "Where did language come from?"

"Que reste-t-il de lui dans la tempête brève?"

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Vol. 1 / Issue 1

October 3, 2022

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ON QUITTING ALCOHOL, an excerpt from author Josip Novakovich's forthcoming book, Vignettes, Montreal Publishing Company, June 2023.

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Rolling Stone, The New Yorker, Vanity Fair, and The Village Voice journalist Robert Coe explores 1974 Big Sur, California. An excerpt from his upcoming book, SURVIVORS OF A FUTURE that never happened, A Critical Review 1974 - 1994, Montreal Publishing Company, November 15, 2022.

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AS PER USUAL, an essay by Tamas Dobozy. "Each photograph emits the opposite of testimony," writes Tamas Dobozy in his collection of 21 essays, each one based on a photograph by Karl Griffiths-Fulton, entitled, The Ministry of Loss.

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NO PAST TENSE, an excerpt by D. Z. Stone

Willi and Kati Salcer were two Czech Jews who as teenagers had been swept up by the Holocaust in Hungary and survived Auschwitz and Mauthausen, respectively. The Salcers are now both gone but I think they would be pleased that No Past Tense is taught in college courses on the Holocaust and Jewish Literature, and is on the shelves of over 500 university libraries. Publisher, Vallentine Mitchell.

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LOVE AFTER ABUSE, an essay by Nathalie Guilbeault. The author of the novel, Inhaled, Guilbeault pens her thoughts on what it can be like in finding love after abuse.

THE LITTLE BOOK YOU HAVEN'T READ, BUT SHOULD, a review by Christian Fennell of Shiela Watson's The Double Hook . A book written in 1959 that still reads today as if it was written tomorrow.

A Look Back in Time ...

With an eye to preserving that which should be remembered, and learning from it.

“The Kentucky Derby Is Decadent and Depraved”
By Hunter S. Thompson
From Scanlan’s, June 1970

“I was sure it was the last article I was ever going to do for anybody,” said Hunter S. Thompson in a 1974 interview with Playboy. “Then when it came out, there were massive numbers of letters, phone calls, congratulations, people calling it a ‘great breakthrough in journalism.’

And I thought, ‘Holy shit, if I can write like this and get away with it, why should I keep trying to write like the New York Times?’ It was like falling down an elevator shaft and landing in a pool full of mermaids.”

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The
Nelligan
Review

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